Friday, July 26, 2013

Final Project: Magazine Cover


History of Magazine Design Approaches:


i) Early Magazine Covers 

The earliest covers for magazines were quite unlike what an average person today would think of as a cover for anything. They had more in common with what you would find on the first few pages of a book, containing a table of contents, a title, and a date. Later, the list of contents were removed from the front and the title tended to be bigger, but it still looked somewhat like a title page in a book. Gradually magazines began to show more illustrations on their covers, but it tended to be generic and symbolic, rather than showing the content of the magazine specifically.

ii) Poster Covers

Poster covers, are what they sound like, covers of magazines that resemble posters because they are composed of one large picture that takes up most of the page and very little text, besides a title. They are eye catching because the single picture stands out in a way that many lines of text would not. They are not as widely used now, but publications that are certain f their readership feel more free to use them because they poster cover only implies that there is more inside, and does not specifically say so.

iii) Pictures with Type
 
Pictures with text are one of the most common formats for magazine covers. While some magazines could use only pictures to attract readers, others used the tactic of adding cover lines which described the major contents of the magazine. The short descriptions would intrigue readers, without having to rely on a single picture that may not catch someone looking for a specific topic. Often they are carefully placed around or over the elements of a picture to be harmonious and emphasize the elements having part of the picture overlap the large title is common.  

iv) Covers at the Turn of the 21st Century
In the present fewer magazines are using the pictures-only poster cover, and are increasingly using cover lines, even to the point of overlapping and covering people in the pictures. This began at the turn of the century, when picture were so commonly used that they were no longer intriguing enough on their own. More and more cover lines were added as a result. Now it is considered normal for the cover of a magazine to be nearly covered by short lies describing it's contents. In a way it is almost as though we have come back to the original practice of putting the table of contents on the cover, though in a more visually pleasing way.

Observing Magazines

I looked at the magazine rack near the book section of the local Target store, which I had not known even existed before. After a quick glace the first ones that stood out were Self, GQ, Instyle, Redbook, Sports Illustrated, MarieClaire, Seventeen

The mastheads, or titles of the magazines varied on how visible they were they ranged from over half covered up to the degree that some would be unintelligible to not covered at all. Some examples: on the covers of People, MarieClaire, Seventeen, and InStyle the mastheads were covered halfway or more, others like GQ had only a little covered. While others had none at all covered over. It seemed that the more well known magazines were willing to cover up their mastheads.

Some strategies that seemed to work for catching the eye on the covers were using bright colors, particularly red on a contrasting background, and people, or faces. Also, clean formats with fewer words worked as well. There were a few magazines that did not have the usual glossy covers and these stood out much less, and looked cheap. 

To try to make the most eye-catching cover possible I used a white background and red details and text. I also included a person as one of the main objects to further increase the probability of it being looked at.


Wednesday, July 17, 2013

GIF Animation: Snow-globe


This was really fun to make! I chose to animate a snow-globe. Moving each of the snowflakes was rather tedious, but the end result is very nice. I now have a new appreciation for the patience and skill of animators everywhere.

Panorama and HDR



I opted to use one of the practice examples from the book for the panorama, and thus this was one of the easiest assignments yet. The end result turned out well.


Only slightly more difficult than the panorama, this one I use one of the teacher's samples because I do not have the right kind of camera to take one of my own. 

Sunday, July 14, 2013

Lab: Poem Collage


Collage based on the poem:
Beginning
BY JAMES WRIGHT

The moon drops one or two feathers into the field.
The dark wheat listens.
Be still.
Now.
There they are, the moons young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine.

Using various methods of selections  I moved the components onto the starry night sky I had chosen as a background. I changed the color using the hue and saturation sliders, brightness and contrast in order to match the color with the tone of the poem and the rest of the picture. The components include 1. a photo of a night sky, 2. a sketch of a ballet dancer, 3. a photo of a crescent moon, 4. a tree silhouette, 5. a field of wheat, and 6. a photo of myself, which I converted to a silhouette as well.


Collage Components:





Liquify: Sailing ship

I played around with many of the liquify tools, but pinch and twirl were the ones I used for the final picture. The ocean uses the twirl tool in decreasing sizes. The people on the ship have all been squished with the pinch tool. As I was using the tools I noticed that they caused transparent 'holes' to appear in the picture, I used the twirl again to create concentric circle and spiral shaped holes in the sky, then painted behind the layer with a slightly darker blue to define them.

Original photo:

Movie Poster

I placed a little cloth person into a real life photo of mountains and a path. Then added a torn paper stripe to one side and added a shadow and a border of dark brown around it. I converted the background and the little person into a smart object and tried various effects on it. In the end I liked the original best so I left it alone. The paper strip was also converted to a smart object and I used unsharp mask to define the parchment texture and create the glowing halo effect shown on page 224 on the words.


original pictures:



Sunday, July 7, 2013

Lab: Duotone

 The duotone project was fairly easy, but the effects were amazing. I chose this photo of a city because it had a lot of grey in it. I used purple for the duotone, and adjusted the effect so the color was more pronounced at the top.


The finished picture: